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The White Lodge


 Saturday Night Psycho... I mean Psychadelia
 





A little vanilla and a little fudge. Very little. These are the three songs Imeem has available. Absent are "Season of the Witch," "Some Velvet Morning" - oh, gagloads of others. Adding insult to injury, the search machine asks "Did you mean Vanilla Ice?" That's rather scary.

Obviously a late-60's band, very experimental. They covered quite a few popular songs - like The Zombies' "She's Not There." They did a version of the Beatles' "Ticket to Ride" which Sir Paul had said he liked better than their own at the time. "Season of The Witch" is the song they are perhaps best known for - hence my surprise to find it missing. "Faceless People" is a metal-urged number which is quite fun - also missing.

More than a few combos were mixing it up style-wise in them days. The Seeds had a hit with "You're Pushin' Too Hard," and it was beyond categorizing. Hard-rockin' Soul, some called it. With their interests in Motown and funk, and Brit Invasion stuff kinda blending into a wholly distinctive sound, Vanilla Fudge could always be counted on to surprise the listener. Among their most ardent fans were many fellow musicians whom Imeem may actually have in some quantity - but I guess I should quit bitchin'.

These were Long Island boys, just like yours truly.
Posted by John, the Squabbler at 7:59 PM - 20 Comments   Add a Comment  
 
 The Wings
 

When there are no pricks behind the eyes
one is like a singer mute, wrapped in satin,
Like one who prays without a God,
Like one who used to fly, and is wingless.

Horses mine, One Two Three Four,
Horses four deep at the door.
These horses undermine the law.

Sir Philip Sydney coffees me with his certaine knot of peace,
But there are no pricks behind the eyes;
One longs for death but never dies -
The clock strikes, cutting through to the bone.

The pine forest calls
The pine forest calls
The pine forest

One wonders how rabbits can make so much noise
in the black time of the owl, the hour of the wolf
When decency and cowardice are both abed -
Asleep, entwined, after their horrific mating,

And I am awake, Horses mine,
While the world is a ghost.
There are no pricks behind my eyes.

What was that dream called sleep that passed,
that recently I remember, if not the refuge of the happy dead?
Those who sleep don't know, my nightmare said,
and all of us were laughing like jackals.

Here come the hard pricks
Here come the soft ones
Here come the ladies with their babies and their guns

One is like a singer without a throat, immortal,
like an angel chained to brimstone, watching wings
and flying horses, singing out
that certaine knot of peace
that certaine knot of peace
that certaine knot of peace

But there are no pricks behind the eyes.
One walks barefoot in the time of the owl,
imploring the hour to strike.



Posted by John, the Squabbler at 6:13 AM - 17 Comments   Add a Comment  
 

 In Deep Lasagna
 

A fellow I know says "I'm in deep lasanga." I like that. He's an old guy. People ask him how to know what God's will is for them. He says, "Know God, Help others." Then they say, "That's it? That's all I have to do?" And he says, "That's it." But I picked up on the deep lasanga thing. It's wonderful to be able to repeat a funny term or phrase, or to affect a mannerism that reminds me of a particular person.

My children have come up with some good ones. Their mother. Of course I speak in much the same way my father does, right down to certain inflections which inspired many people calling on the telephone when I was living at home years ago to say, "Jack?" and launch right into whatever they had called to say to my father. My brother had the same experience too, even though to my ears we speak quite differently. I have a cousin who is like a bother to me. When I speak with him I hear my father's voice in his.

Anyhoo, I have heard the telephone ring, and one of my sons answer it: "Hello? ...No, I'll get him. Hold on." When I get to the phone the caller says, "I thought he was you."

I found these great prints at a garage sale in very nice frames. One was of an early telephone. There are two others of old-fashioned radios, and since I love old radio - I'll post the Jack Benny program on my other blog tonight - I picked them up.

Telephones used to be connected to the wall by a wire. That wire usually was installed quite near the front door of a house. I remember when the fashion was to have it installed in the kitchen, but that happened later. Houses had formal entry hallways - many of them. That's where the phone was, on a little table where the keys and letters were often thrown, next to a not extremely comfortable chair. Often there was a staircase on the other side of the hallway, leading to the house's private rooms. I think of what that means symbolically.

At the front door you had the option of turning a caller away. If one wished to visit because he had some business with you, either commercially or socially, he would knock on your door, or ring your doorbell. When the phone was in the same place it was like a door. The ring was an entreaty to enter which one had the option to refuse.

Perhaps the not extremely comfortable chair was to discourage people from lingering in the doorway too long, or talking on the telephone too long. The conversation could only extend to what the butt could bear, just as the mind can only absorb what the butt will bear at a lecture. That brings bare butts to mind, which is the spelling error the computer would not have warned me about.

I love to go to lectures, and make the audience stare, By walking 'round on people's heads, and messing up their hair.

We are always deeply affected by each other, and we teach each other every day - whether we know it, or not. Whether we appreciate it, or not. Every conversation, even the most banal, is an important event. People - all people - deserve the respect that such a contribution has earned them. Even electronic ones.

My father taught me that the language I used in conversation said more about me than any other thing known about me - more than who I say I am, more than other people say I am; more than where I come from, how I am attired, or what I look like, who my family is. He told me to speak with respect to people, and never to use offensive terms - even if I knew the person whom I was addressing did not respect himself or me enough to guard his tongue so well.

Once a person said to me, "I hate you because you never swear!"

That's OK. I know if I ever did I would be in deep lasagna. I don't know if my sons will pick that one up. They are growing up in a land of venison burgundy stew and soft serve ice cream - not diesel fumes and pizza parlors. They may never had eaten lasagna. Well golly, it's been a coupla few years since I did.

Coupla-few. I like that one too.    

Posted by John, the Squabbler at 7:16 AM - 29 Comments   Add a Comment  
 

 Meeting of The Spirits
 



Boy, it's good to hear this stuff again!

Courtesy of the Internet. I remember, not long ago, wondering where a copy of this LP might still exist. I knew I left it behind me, and I knew somebody must have bought it, along with all my others, from the former Mrs. Squabbler (#1). I would be driving by a house, a random house, and wonder "Does the person who lives in there own a copy of 'The Inner Mounting Flame?'"

Do things like this simply cease to exist? I was in a house where the family lives entirely on television. There are large TV's in every room, and they are often on, even when there is no one there to watch them. A morning network news/variety program was playing, and all of a sudden the android hostess introduced Jan Hammer. And there he was, looking the same - pretty much - older, playing music on some kind of digital keyboard sampler.

Vindication: it really happened! I realized at that moment I had to find all that music again.

Then - old radio programs. I had been collecting tapes for a couple of years. My second wife gave me a boxed set of the CBS vignette program "Suspense." I listened to all those - frequently. I heard something in the announcers' voices, in the concepts behind the scripts, even in the commercials that convinced me: that was the real world, this is a shadow realm where people are... changed, shrunken, corrupted.

Where had I been? - wandering in a half-life wilderness, trying to be like them, trying to get them to like me. No, well there's nothing to aspire to. Everything presented by the culture is a pale imitation of the past. It's derivative, redundant. I started searching more intently for old radio.

I was never on the Internet at home until January of this year, when I finally broke down and decided to break from my customary frugality and sign up. I had it at the office. In 2001 someone helped me open my first E-mail account so my customers could communicate with me that way. I was filled with contempt and revulsion by the whole idea.

But, I discovered I had a knack for understanding the machines. I rapidly became the company's computer-fix-it guy. I did a little reading. Most of it was common sense - to me. It's like all of the material world. It's made of Adam and Eve, particles of matter temporarily holding a particular form. Easy.

So, here it is: this frightening Colossus contains, preserves, and actually remembers my world. It still exists. The beast has the things that I value in its archives, in its gut. When I discovered last year - while working at a friend's cyber cafe - that there were such things available on-line I could've cried with joy.

Posted by John, the Squabbler at 5:39 AM - 34 Comments   Add a Comment  
 

 Rhyme Giggles / Nonsense Giggles
 

Can you tell I bothered to hook up my scanner? This is the book that had more influence on me than - (almost) any other. It was just sitting there on my shelf, looking at me. This book - material thing - made it all this way. It may be the one and only object I possess from my childhood. Even my body is different. Every cell, every molecule, has died and been renewed several times since. How the heckiedoodles did this thing manage to survive?

That's Sister Lettie, by the way. She's ready. Just so you know. It's an illustration of Shel Silverstein's contribution to the book, "Sister Lettie's Ready."

A wonderful thing happened to my

sister Lettie, it did:

Instead of hair, she grew a lot of

spaghetti, she did.

And now whenever she wants a

snack at night, she does,

She simply combs it down and

takes a bite, she does.

Yes, that's "Sister Lettie's Ready" by Shel Silverstein. Delightful, yes?

Why do I like this? Because I was able to quickly memorize each poem in this little book. Memorize? No. I read them once and I simply knew them. I recite these poems to this very day. If I should develop dementia in later life Jack Prelutsky's "Toucannery" may be the only thing left in this piece of wood between my ears I blithely refer to as my brain.

I'll save it against such a day.

This book is the key to my reality. Girls with spaghetti for hair. Yup, that sums me up. G'night.  

Oh yeah - Fibber and Molly are on Heavenly Days right now.
Posted by John, the Squabbler at 9:46 PM - 11 Comments   Add a Comment  
 
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  About Me
Author: John, the Squabbler
From Northeastern, USA
Age: 46
 
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